Toronto (+1 Montreal, +1 NYC via Tennessee) AMC crew returning to the Wayne State parking lot

Last weekend I attended my first ever Allied Media Conference in Detroit, Michigan. I was deeply inspired (and a little overwhelmed) by both the conference and the city itself, and hope to be back for the next edition. The AMC brings together thousands of participants engaged in media activism, a large percentage of whom also present sessions and workshops, and truly is a network of networks. It being my first conference, I don’t feel like I’m well positioned to attempt to describe it, in all its diversity and complexity, but I thought I would share some notes all the same, to document and provide touch points moving forward back in Montreal.

The Sessions
I participated in fewer sessions than I intended to, the pace was far faster than I had imagined, and I often felt I needed a break to absorb and reflect afterwards, rather than rush to the next one. I spent a lot of time hanging out in the Future Design Lab practice space, or wandering the Wayne State grounds, chatting with people and sharing stories. As the weekend progressed, the Future Design lab filled with images and texts, mind maps and posters (and wormholes!), it was a beautiful thing to observe this rich accretion of ideas.

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Re-listening to Thee Silver Mt. Zion’s last album. So good…

This week I’ll be heading to Detroit to participate in the 16th Annual Allied Media Conference. I’m very excited, and slightly nervous, to be presenting a caucas/workshop on Designing Cultures of Resistance.

Extending from the talk I gave at Howl’s Art, Anarchism and Social Movements panel, I want to continue to explore the concrete aspects that surround the practice graphic design, or a specific designed object, and discuss how they can contribute to building a healthy and vibrant culture of resistance (to neoliberal capitalism). My angle comes from a bit of a Neo-Marxist perspective, and the aspects I’ll be looking at are: Materiality and Affect, the contexts of Production and Distribution, (Visual) Language and Identity. Typed out like this, it seems a bit daunting and a bit vague, but the goal is to not be overly theoretical, to ground it in concrete objects and experiences, and most importantly, to engage and listen to what others have to say.

I’m really looking forward to taking in as much as I can of what the conference has to offer, to meet so many great people doing such amazing work, and to get the chance to build something together…

I’m copying + pasting their network principles below, because they’re beautiful and righteous, and they’ll give you a good idea of why I’m so stoked. See you in Detroit!

We are making an honest attempt to solve the most significant problems of our day.

We are building a network of people and organizations that are developing long-term solutions based on the immediate confrontation of our most pressing problems.

Wherever there is a problem, there are already people acting on the problem in some fashion. Understanding those actions is the starting point for developing effective strategies to resolve the problem, so we focus on the solutions, not the problems.

We emphasize our own power and legitimacy.

We presume our power, not our powerlessness.

We spend more time building than attacking.

We focus on strategies rather than issues.

The strongest solutions happen through the process, not in a moment at the end of the process.

The most effective strategies for us are the ones that work in situations of scarce resources and intersecting systems of oppression because those solutions tend to be the most holistic and sustainable.

Place is important. For the AMC, Detroit is important as a source of innovative, collaborative, low-resource solutions. Detroit gives the conference a sense of place, just as each of the conference participants bring their own sense of place with them to the conference.

We encourage people to engage with their whole selves, not just with one part of their identity.

We begin by listening.

Please join us this Thursday, June 12th at librairie Formats for the official Montreal launch of Issue 13 of Four Minutes to Midnight. Though we recently held an intimate launch party amongst friends during the Howl Arts Festival, I’m excited to be partnering up with Formats for this, and to introduce the project to their network of artist-run centres.

In conversation with John last night, it struck me again that we’ve been doing this for ten long years, from London and Montreal, from Brixton and Mile End. Over that time we’ve promoted and published an astonishing collection of artists, writers, musicians. It’s been quite a journey, and there are far too many people to thank, but I think the best way is to just keep doing what we’re doing, and getting it out there the best we can. Or someone can bring us a cake to share…

RSVP on Facebook here.

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Shock Troops and Cheerleaders

Excerpted from Issue 13 of Four Minutes to Midnight, this is my first article for Medium. It’s a scattershot rant on the current state of graphic design, with a brief look back at the International Typographic Union, and what it might mean for us as designers to reflect a little bit more before we make. There are a lot of ideas that I touch upon that I hope I will be able to develop further in writing.

And I’d like to offer an unsolicited plug to the designers at Medium, the UI for writing and reading stories is really great and was super easy to use. Good job.

On a bit of a different vibe, I just discovered this amazing mixtape on Soundcloud, featuring plentiful hard-hitting decolonial hip hop tracks and artists. It’s an inspiring listen. A couple of gems included Angel Haze’s collaboratrion with A Tribe Called Red and MC Optimal’s super-smooth “Good Hair”.

So glad this is out there…