Isn’t the internet GREAT? Shortly after posting Paranoid to the public domain, Ukranian (type) designer Sergiy S. Tkachenko sent me an email with a reworking of paranoid that includes a few extra glyphs as well as the cyrillic components. Thanks so much Sergiy, the zero glyph is super sexy…
Download Paranoid (updated file)
Paranoid is a project we’ve had going on the back burner for a while now, and we’re happy to announce its official public and FREE release. Collaboratively designed by Simon Carrasco, John Stuart and myself, Paranoid is a purely geometric display face developed as a contribution to, and subtle critique of, the still growing trend of bold, geometric and counterless typography. It can be used equally well to bring back the joy of cocaine clouded 80s dance parties or to express the ominous foreboding of inevitable nuclear disaster, a flexible face in spite of its limited form.
Arjen Noordeman of Elasticbrand has just posted an in-depth interview with me over at the Cranbrook Design site (updated link). The recently revamped web site once hosted a vibrant discussion that played a large part in shaping Four Minutes to Midnight during its early stages, so it’s fitting that 5 years on, I’m on there once again to talk about it.
I have to tell you something: an interview with Kevin Yuen Kit Lo
Thanks Arjen for the challenging questions, I’m really happy to be featured amongst such design luminairies, past and present. My very own little taste of Cranbrook…
It was with shock and sadness that I read today that Armin and Bryony Vit have decided to close Speak Up. Here’s what I left in the comments:
Dear Bryony, Armin and all former Speak Up authors, I’ve never clearly voiced this before, so I’ll do it now before I lose my chance.
Being selected as one of the original authors on this site was an indescribable honour for me as a student fresh out of university. Here was democracy in action, and I had so much to say and so much to learn. All I had to do to take part was send Armin an email with my favorite serif and sans-serif fonts (I still remember what I said too; Mrs. Eaves and Futura!). Though I only managed to contribute sporadically, Speak Up has been with me my entire career as a professional designer, acting as a dear friend and a credible reference. My most recent CV still proudly states, “former editorial author on Speak Up, the leading graphic design web forum.”
I recently stumbled across this beautiful flickr set by F-letter and was struck by the perfect, simple harmony of his typography and imagery, a balance I continually strive for, but can never seem to achieve. Everything is just perfect in these images and they’ve raised an interesting side story into the script face that pairs so well with one of my favourite sans, Trade Gothic.
Gute Seiten is a “curated kiosk & magazine club” featuring a growing archive of avant-garde independent magazines. An innovative project initiated by fellow Memefest collaborator Alain Bieber of Rebel Art, Gute Seiten aims to promote, distribute, award, exhibit and finance(!!!) magazines that step outside of the mainstream.
Hopefully, 23:56 will find itself up on their tidy little web site very soon!
This looks like its going to be great. Amazing song choice for the trailer, and the most exciting surprise for me is the screenplay co-written by the one and only Dave Eggers. Can’t wait!
The official site is here, though there’s nothing on it yet…
From Keetra :: A wealth of beautiful, playful and wonder-inducing design work from Keetra Dean Dixon. Also check out her interview on Cranbrookdesign.com.
One of our designs is now featured as part of Paper Kite Press’ Visual Poetry poster series. The piece is an aggressive remix of pages from issue 5 of 23:56, the starting point of our approach to the fugues in the later issues.
The series is a great initiative by Dan Waber, showcasing contemporary visual poetry from around the world. We’re very honoured to be recognised as one of his selections. Please stop by the shop and pick up a six-pack of poetry for only 20 bucks!
